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Netflix's Surprising Latest Zombie Movie Breathes New Life into a Stale Category

Generally speaking, I've had my fill of zombie movies. Although favorites such as 28 Days Later along with the initial episodes from The Walking Dead were gripping, the genre seems largely exhausted nowadays. Yet the much-awaited 28 Years Later has been gathering dust in my watchlist for some time. However, the platform's new Southeast Asian zombie flick, The Elixir, managed to defy what I anticipated turning out quite entertaining.

Impressive Pacing and Character Development

One of the film's greatest assets lies in the excellent rhythm. It kicks off with a striking initial scene in which a calm family gathering gets suddenly interrupted by a vehicle crashes right into the guest area. Out of the van, an extremely zombie-like individual stumbles out and begins assaulting the partygoers. This dramatic scene is immediately followed by a flashback, giving viewers to observe this household prior to the disaster occurred.

In contrast to numerous undead movies, The Elixir truly gives viewers sufficient opportunity to get to know the primary characters prior to the chaos begins. We meet Nes, a wife and mother whose former best friend, Karina, is now married to her dad—a clearly awkward dynamic. Naturally, this has understandably caused a rift between Nes and Karina. We also see her sibling, Bang, who is good-natured yet a bit inept socially, and who loves gaming alongside Nes' young son, Raihan. Her spouse, Rudi, appears to have lately cheated on Nes. The family patriarch is Nes' father, who runs a popular herbal remedy company named Wani Waras, and who seems to care about just two aspects: his business and his marriage to Nes' ex-best friend. Needless to say, this family reunion is extremely tense.

Invested in the Drama

I found myself so engrossed with this family's dynamics along with their personal conflicts that I nearly forgot this was a scary movie—which might seem like a negative, but ultimately worked well. The Elixir dedicates a significant portion of the film depicting us the identity of every family member is, plus the ways they add to the general turmoil. This emphasis on clashing traits allowed the audience to relate with the characters sufficiently to be concerned for their fate—an uncommon feat for this style which frequently introduces individuals just to eliminate them soon after. The Elixir avoids portraying its cast as flat, expendable casualties for an army of the undead to devour, so it's a genuine shock when things finally go wrong.

Evocative of Parasite

The initial scenes from the gathering and the multiple household exchanges in fact bring to mind the movie Parasite, a tale that masquerades like a Korean drama featuring somewhat morbid comedy prior to making a sudden turn toward shocking territory. These early moments don't focus too heavily on humor as Parasite, yet The Elixir nonetheless provides sufficient opportunity to immerse in the setting prior to everything gets turned upside down.

Unique Infection Origin

This movie additionally presents a quite intriguing explanation regarding the origin of the spreading transformation. Instead of an accidental lab leak or some sort of bioweapon, the cause for this infectious condition originates in a new sample of Wani Waras herbal remedies created by Nes' father. While some background is provided something regarding its origins, it would have been better if the film had spent additional focus on how Wani Waras transitioned from a reputable purveyor of holistic medicine to producing a deadly potion which seems to contain a highly contagious virus. Regardless of the lack of context, the impact this condition has on people proves utterly repulsive, and I love it. The Elixir's undead prove quick, freaky-looking, and, perhaps worst of all, constantly grinning. This represents a daring decision, but it succeeds. The Elixir's physical effects and computer graphics are also quite convincing, and they're almost guaranteed to provoke one's trypophobia.

Capable Personalities

Even better compared to the gross-out moments is the cast themselves. Certainly, we see some examples of dubious decision-making (as in typical zombie movie), but generally, Nes and her family show themselves inventive and sharp. They also aren't afraid to strike an undead in the head, pierce it with a pitchfork, or beat it on the skull with the nearest heavy object they find instead of standing still like a deer caught in lights as death nears.

Realistic Family Discord

The Elixir doesn't drop its focus of familial discord once individuals begin transforming into zombies, which was a welcome authentic subversion from that "We don't get along|"We have issues, but you almost died I immediately pardon you for everything! cliché frequently used in apocalyptic films. It's clear, Nes loves her family and values her husband, Rudi, but it's also apparent she remains clinging to bitterness over his betrayal of their marriage vows. Once the household gets separated, they agree via telephone to regroup at a close location. However, once Bang reveals he doesn't know how to get there, Nes expresses a massive amount of frustration on her brother which has obviously been brewing over time. Nes is not flawless, and her relatives—flawed as it is—feel authentic and understandable since the movie avoids attempting to push the idea that nearly dying instantly cures familial strife. This makes the moments when these characters do show gratitude for each other feel much more genuine.

Predictable Ending

In spite of The Elixir's best attempts to innovate, the conclusion is admittedly somewhat stereotypical. The Elixir doesn't truly offering up any deep message regarding relatives or society, either. Rather, it's mostly delivering frights. Yet these are successful scares, and since the movie gives each character enough room to grow and doesn't punish them for having flaws, the outcome proves an engaging and entertaining

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About the author

Scott Porter

Lena Visser is a Dutch visual artist with over a decade of experience in contemporary art and art education.

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