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Ballet Luminary Matthew Ball on Grueling Roles and Social Media Attention: 'I Don't Feel Protective About My Body'

Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is effortlessly upright, his arms muscular beneath a plain tee. During performances, dancers can seem like powerful gods, yet often in person they are petite. Not so Ball, whose height is part of his popularity for princely characters and partnering. With delicate features and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

At 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he encountered minimal ridicule for his childhood passion in ballet. Entering the Royal Ballet School at 11, he moved straight into the company and was advanced annually, attaining the top rank of principal in 2018. He has loved tackling meaty dramatic roles, especially the emotional turmoil found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured role is as himself, in an "Evening With" series designed to offer behind-the-scenes insights into a dancer's art. He will walk the crowd through a part, showing his cognitive workflow while execution. Even in lighter ballets, the test is profound. "Don Quixote is one of the most demanding technically," he states.

The Psychological Struggle and After the Show Emotions

What about after a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get lost in the role, quite often I do feel embarrassed later. Following an intense role I'm always thinking: God, what must people think?"

Offstage, Ball is thoughtful, polite, and prone to laugh at himself. But a choreographer previously remarked on a "kind of suffering in him." Does this exist? "I'm quite energetic usually, but I do have a dark side," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an instigator for good change."

Early Drivers and Creative Influences

His tenacity originated in early experiences. Not doing well in competitions at school made him "driven!" This became motivation to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming endeavor is making his own dance works. In his view, "there's nothing wrong with." "Challenging the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from books, compositions, and art.

Intimate Performance and Private Partnership

He additionally favors presenting dance in more intimate spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has created pieces with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." The couple are not usually paired on stage at their main theater, which might be healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Image

On social media, fans can see videos from his dance films and photos that showcase a athletic form. Does he care that the engagement can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be seen on multiple levels.

Ball characterizes his early self as "eager for success." Has it met his hopes? "I feel very aware of how life is a different thing to the aspirations you made as a young person," he reflects. He probably has another decade of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

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About the author

Scott Porter

Lena Visser is a Dutch visual artist with over a decade of experience in contemporary art and art education.

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